Last year, Ed Wood‘s Plan 9 From Outer Space(1959) saw its Blu-ray release; posthumously, Ed is thoroughly enjoying his last laugh. He can thank those smug, condescending, hopelessly unimaginative thugs posing as establishment critics, the Medveds, for resurrecting him from the dead and catapulting him into a cult Valhalla. As everyone knows by now, the Medveds infamously awarded Wood the honor of “Worst Director of All Time” in their infamous Golden Turkey Awards. Today, of course, we know that award could go to someone far more deserving, such as Mel Gibson, Tony Scott, or Mark Steven Johnson. Why pick on the genuine tranny auteur of outsider art? But, thank John Waters, the Medveds saw fit to bestow their award on Ed! There is a sense of divine justice after all, because we have rightly canonized him.
Plan 9 was already colorized for DVD a few years ago, and there wasn’t a single complaint about a legendary film being subjected to this much-maligned process. Probably because we all realized Ed simply would have loved the extra attention it gave his magnum opus. According to his biographer, Ed Wood said that while Glen Or Glenda (1953) was his most personal film, Plan 9 was his proudest accomplishment!
Wood’s appeal and fame continues unabated. Yes, he was a trash filmmaker, but he was a trash filmmaker delightfully of his time, simultaneously encased in and fighting against the naiveté of the 1950s. Naturally, that phenomenon is something that cannot be repeated, despite the countless attempts to do so by clueless contemporary indie filmmaker who—incredulously and vainly—seek to imitate Wood’s dated incompetence.
It is Wood’s bio, replete with nostalgia, his zeal, his idiosyncratic stamp, which endears him to us. At his best, Wood’s vibrant personality carries itself into his films, regardless of genre. At his worst (which unfortunately is not his worst) Wood is merely an incompetent commission B-director. Still, Edward D. Wood, Jr. is our fallible pope of naive surrealism, and his debut on Blu-ray is cause enough to celebrate the Ed Wood in all of us.
Now, let us commence into that glorious future where all Ed Wood films will still be celebrated, in the future. It is safe to say that, in the future, there will always be the aspiring film geek who discovers his patron saint, Eddie, in the future. For you, for me, for those in the future, we now present “THE GOSPEL ACCORDING TO EDWARD D. WOOD, JR!”