With my lifelong painting of idiosyncratic (or heterodox if one prefers) iconography, I suppose it was inevitable that I paint a last supper. This mural, titled “Brother Cobweb’s Last Supper” will be used for”The Church Of Brother Cobweb” haunt at the Gresham, Oregon HOUSE OF SHADOWS for the West Coast Haunter’s Convention this May and its October haunt… Continue reading “BROTHER COBWEB’S LAST SUPPER ” AND “BROTHER COBWEB’S TENT REVIVAL,” house paint on wood panels ©2017 Alfred Eaker
In 2005, Ken Tipton made a labor of love, an indie film called Heart of the Beholder, regarding the true story of the initial video release of Last Temptation of Christ and the effects it has on a family who owned a small video chain in St. Louis, Missouri during the 1980s.
The CFD, Citizens for Decency, arrived when the owners of the chain chose to carry Martin Scorsese’s controversial film. These God-loving red, white and blue, flag- waving Americans came out in droves to harass, bully and literally threaten their employees, family, business and life.
These are the same Americans who undoubtedly burned Dixie Chick albums when that group criticized God’s ambassador here on earth, little George W, and are the same Americans who still visit the Heart of the Beholder website telling Mr. Tipton and company that they are going to hell while undoubtedly pleasuring themselves at the thought of the filmmakers frying for all eternity. Heart of the Beholder is a damned important, desperately needed film.
Although Heart of the Beholder received positive reviews and even won some festival awards, predictably, no distributor would touch it. One would surely think that the making of the film would have brought in some support, perhaps from Temptation‘s producers, Scorsese, etc. However, even in matters of something this vital, money talks.