ORSON WELLES’ CHIMES AT MIDNIGHT (1966)

For fifty years, Orson Welles’ Chimes at Midnight (1966) was locked in various disputes over ownership, and was only sporadically seen in wretched prints. It was talked and written about so much that inevitably seeing it (as I did in Chicago in the 90s) amounted to an ordeal. With both poor visual and audio, it was unquestionably a disappointment. Thankfully, Janus Films came to a long overdue rescue in 2015. The restoration (available on the Criterion Collection) is miraculous, revealing one of Welles’ most astonishing, loving creations. While F for Fake was Welles’ final finished film, Chimes at Midnight is … Continue reading ORSON WELLES’ CHIMES AT MIDNIGHT (1966)

ORSON WELLES’ F FOR FAKE (1973)

In hindsight, Orson Welles‘ F For Fake (1973) might be seen as inevitable. In an interview with Jean Clay from almost a decade before the film’s release, Welles warned: “If you try to probe, I’ll lie to you.” Admitting that most what he says is fabricated, Welles astutely advised: “Destroy all biographies. Only art can explain the life of a man.” Yet, there is something of a gimmick even in that statement. It was through the medium of radio that Welles delivered his first hurrah of trickery, at the ripe old age of 23 on October 30, 1938. The reaction … Continue reading ORSON WELLES’ F FOR FAKE (1973)

ORSON WELLES’ TOUCH OF EVIL (1958)

Only Orson Welles could produce a masterpiece out of a film starring Charlton Heston as a Mexican. Of course, the story of Welles’ rise and fall is practically legendary. At 26, he made that greatest of American films, Citizen Kane (1941), which took on newspaper magnate William Randolph Hearst in a thinly disguised biopic. Welles’ was already at work on his second film, The Magnificent Ambersons(1942) when the backlash from Kane sent RKO into a panic. Fearing another flop, studio executives took Ambersons away from the young filmmaker, gave it a happy ending, and recut it. The result was a truncated masterpiece, which should have been the equal of Welles’ first film. Welles’ was practically … Continue reading ORSON WELLES’ TOUCH OF EVIL (1958)