In hindsight, Reflections In A Golden Eye (1967) might mark a type of penance for director John Huston. It certainly represents a shift in his cinematic oeuvre. Huston, of legendary macho fame, had cemented his reputation with virile opuses: Treasure of the Sierre Madre (1948), The Red Badge of Courage (1951), African Queen (1951), Moby Dick (1956), Roots of Heaven (1958), and The Bible (1966). Yet, Houston also was occasionally drawn to sensitive or eccentric material. Both The Asphalt Jungle (1950) and Beat the Devil (1953) became cult hits. Huston went from working with John Wayne in Barbarian and the Geisha ( 1958) to Arthur Miller, Marilyn Monroe, and Montgomery Clift in The Misfits (1961).
Having worked well with Clift in The Misfits, Huston cast the actor in the title role of his dream project: Freud (1962). Unfortunately, that production was plagued by a pedestrian script and the tension that resulted when Huston walked in on Clift bedding a male reporter. It proved the wrong film for Huston to vent his homophobia. Continue reading REFLECTIONS IN A GOLDEN EYE (1967)