The Mad Genius (1931), Doctor X (1932) and Mystery Of The Wax Museum (1933) are three atypicalfilms from Hungarian-American director Michael Curtiz. Better known for such classics asAdventures of Robin Hood (1938), Yankee Doodle Dandy (1942),Casablanca (1942), and Mildred Pierce (1945), Curtiz was adept at practically every genre, including horror; although he only ventured there with this trio of pre-Coders and 1936’s Walking Dead (1936), starring .
The Mad Genius stars “the Great Profile,” John Barrymore, and features a pre-Frankenstein (1931) Karloff in an uncredited bit part as an abusive Cossack father. It is a reworking of George du Marurier’s “Trilby” and the second 1931 Warner Brothers’ film featuring Barrymore as the mesmerist Svengali (the first was the more famous and successful Svengali, directed by Archie Mayo).
Here, Barrymore goes by the name Tsarakov, but he plays the same control freak, and gives a narcissistic performance. He is a blatantly promiscuous puppeteer, awash in Freudian issues (transferring hatred of the ballerina mother who abandoned him to women dispatched by his weapon of choice: the casting couch).