Brain De Palma, David Lynch, David Cronenberg, and John Waters were among the directors whose films we passionately watched and discussed in that now extinct haven once known as art school. It was De Palma who topped our list, enough that we ranked him as high as, if not higher than, Alfred Hitchcock. There is justification in the criticism that Hitchcock’s films are often cold, mechanical exercises. De Palma was more experimental, and emotionally incinerating in ways that Hitchcock could not be. De Palma is decidedly unbiased when it comes to provocation: Scarface (1983) unintentionally inspired the current trash thug culture, and Casualties of War (1989) still manages to boil the blood of extremist patriots. He has been accused of being a misogynist and a feminist, an innovative bohemian and a plagiarist, a shrewdly manipulative avant-gardist and the quintessential sell-out. Any director this divisive deserves attention.
Unfortunately, one must briefly address the De Palma/Hitchcock comparison primarily because lazy, hack critics have long held De Palma to Hitchcock’s standards. De Palma was too much his own man to simply imitate Hitchcock. Rather, Hitchcock was one of several influences filtered through De Palma’s preexisting sensibilities. Jean-Luc Godard was another, and it is no accident that De Palma has been referred to as an example of American Nouvelle Vague. Continue reading “PHANTOM OF THE PARADISE (1974)”