As successful as Greta Garbo’s pre-talkie films were in the states, they were even more popular in Europe where sound was not a barrier. Louis B. Mayer, nervous about Garbo’s American market in the coming sound era, spared no expense and devised a simple campaign slogan for her first speaking role: “Garbo Talks.” In Anna Christie (1930) she takes half of forever to appear and when she does, she delivers a classic line in her inimitable, husky, accented voice: “Gif me a visky, ginger ale on the side. And don’t be stingy, baby.” Unfortunately, it is the only classic thing about the film. Based on one of Eugene O’ Neil’s most mediocre seafaring plays, Anna Christie is hopelessly stagebound and static. Worse, Garbo is cast as an earthy, as opposed to exotic, prostitute, which was a misstep. By this time, Clarence Brown’s directing had shifted to autopilot. The film is, naturally, beautifully photographed. Marie Dressler, through hammy acting, does the impossible and steals the film from Garbo. Still, 193o audiences, unsurprisingly, bought into the publicity and made it a huge hit. Garbo received an Oscar nomination for this film. It was the first of four nominations, none of which she won.
Garbo’s second talkie, Romance (1930) is an even more stilted affair, directed again by Brown. She is an opera star in love with a priest (a miscast Gavin Gordon). Things go south when he discovers she is not a virgin (the Hays production code was not yet being enforced). There is a lot of chatter, and Garbo looks ravishing, but her performance was hardly one of her best, despite a second Oscar nomination. As Cornelius, Lewis Stone steals everything but the camera.
Inspiration (1931) finds Brown again asleep in the director’s chair in a film that, amazingly, seems a pale imitation of her previous film, which wasn’t good to begin with. Garbo and Lewis Stone are refreshing, despite clunky dialogue. Robert Montgomery looks bored.