Arthur Rankin and Jules Bass may just be the weirdest animation team in history. Most of their stop-motion Christmas toons have become perennial classics, despite such bizarre characters as a carrot-topped roly poly dancing demon in hell; a misfit-among-misfits Arctic explorer; a dentist elf; a flying lion; a bitchy, bigoted Saint Nicholas; a winter warlock; a toothless, abominable Bumble; and a Charlie-in-the-Box. One wonders if the duo realized how off-kilter their formula was. When it came to their Halloween special, Rankin and Bass used the 1940s’ studio bound monster-mashes as their blueprint. Oddly, their Mad Monster Party (1967) was considerably better than those late, fatigued Universal extravaganzas. Helping tremendously was the voice work of Boris Karloff as Baron Frankenstein and Allen Swift as Felix Flankin, the Monster, Dracula, Dr. Jekyll, and the Invisible Man.
Harvey Kurtzman of “Mad Magazine” and Forrest J. Ackerman, the celebrated founder and editor of “Famous Monsters of Filmland,” worked (uncredited) on the script. It shows. Mad Monster Party is a loving homage to Gothic cinema, replete with trademark campy puns, which equally inspire nostalgic smiles and pained groans. The special serves as a precursor of sorts to Henry Selick‘s Nightmare Before Christmas (1993). Rankin and Bass approach their theme with far less originality than Selick, but the earlier film does have a pronounced sense of adolescent charm. Continue reading