January 31st is the 100th birthday of Thomas Merton. In honor of his centenary, the following is an excerpt from my Master’s Thesis: Justification By Imagination: The Marian Art Of Thomas Merton.
The thesis was approved by Drs. Frank Burch Brown, Marti Steussy, and Lorna Shoemaker.
Introduction: Opening Merton
It is, perhaps, apt that Thomas Merton’s Marian art is primarily concealed—much as the Marian figure is in the gospels. The bulk of Merton’s Marian drawings reside at the Thomas Merton Center at Bellarmine University in Louisville, Kentucky. Little of that art has been published. To approach it, one must first open Merton: “One hears from others that this is a Sacred Book, takes their word for it, and resolves not to get involved.” Thomas Merton’s own words on the act of opening the Bible can be applied similarly to opening Merton. Over one hundred books and several documentary films have been produced about Thomas Merton since his death in 1968, indicating the extent of his art and influence. The magnitude and immensity of Merton is such that no single interpretation will have the final word on the famed Trappist, whose status as the preeminent Christian monk of the twentieth century, is readily acknowledged, even by his critics. Continue reading