Justin Belitz, The Dancing Monk ©Alfred Eaker, 2019
“Giving thanks, he broke the bread, and said: Take ye, and eat: this is my body, which shall be delivered for you: this do for the commemoration of me. In like manner also the chalice, after he had supped, saying: This chalice is the new testament in my blood: this do ye, as often as you shall drink, for the commemoration of me.”
Fr. Justin Belitz O.F.M. (Following in the footsteps of St. Paul) © Alfred Eaker, 2019
The following is a transcript of Fr. Justin Belitz’ speech from W: The Movie (2009).
“Jesus came and Buddha too, along with Abraham, not to mention Rumi, Francis, Clare, and Muslim saints: All intent on bringing peace to our battered world. Still today, we long to see just the faintest glimmer. Well my friend, you have to know how to do the task. Peace is here, believe you me, but it’s all inside.
Jesus said: The kingdom’s here. It is within us all. Deep inside everyone-endless peace presides. In our midst are two worlds: One you see all day, but yet there’s another realm. That’s the one of spirit. Hidden all around the globe are people full of love, reaching out to help their friends and even all their foes. You may not hear about these folks: those like Jimmy Carter using private funds to fight African disease. Or, artist’s works like Al Eaker’s bible modernized. There are millions just like these-freely giving peace. No big bang or press release; just the flow of love.
You can be a peacer too. All you have to do is quiet down and go inside. Let your peace abide. “
Several articles from personal blogs have appeared online regarding Fr. Justin Belitz, O.F.M. These articles ultimately represent social media being used and abused as yet another demonstration of someone judging from the outside looking in, seeing only slivers, hearing only soundbytes, coming to blatantly erroneous conclusions, and portraying Fr. Belitz as a caricature. It is nothing less than crass stereotyping and echoes the words to the old song: “I don’t like what I don’t understand and it scares me half to death.”
I am an Indianapolis native and former member of Friar Justin’s Hermitage (Former only because I moved out of state). I met Fr. Justin through the late Fr. Hilary Ottensmeyer, a Benedictine priest, who happened to be the former director of St. Meinrad’s. I met Fr. Hilary at an art gallery showing (the 431 galley) in the late 1980s. At that time, I was a self-proclaimed atheist.
Having grown up in an abusive, evangelical church setting, I had mantled a lot of anger. Hilary and I became good friends, having countless discussions on art history, film, philosophy, and music. He even counseled me through a divorce. Slowly and astutely, I became aware that there was indeed an artistic, intellectual side to the religious life; one that did not require me to dumb down.
“Our Lady Of The Mermaids”©2011 is a 3 ft x 4 ft oil on canvas. Over the years, I have painted numerous Madonnas, born full grown from a painter’s brow, yet I feel it is this one alone, from 2011, in which my very personal tradition and theological tenets crystallized most lucidly. I have attempted, since then, to paint her again as I did here. Predictably, it has proven futile. Although, Our Lady wears a thousand different skin tones, a thousand names, and a thousand costumes, she stands uniquely untamed in this canvas. This is no Madonna, subjected to patriarchal erasure, no demure, chaste cabbage. Our Lady is imbued with wild sensuality, diaphanous compassion, and revolutionary divinity. She is our lush, boundlessly expansive sanctuary of fearless truth-telling; the fiery daughter of primal white goddesses and Sophianic Mother of the brown mermaids.
* Our Lady was chosen for the 2014 cover of Aurora Literary Magazine.
“Annihilation” is a 2014, 40 x 48 oil on canvas. It stems from Sufi meditation. “Christ casting the money changers out of the temple” is that figure’s moth to the flame moment. It is the only time we see the gospel figure losing his temper and it is this act, which gets him killed and inevitably transforms him. It is lack of love that Christ is responding to. Rather than the traditional depicted action narrative, usually attached to the subject, “Annihilation” is filtered through Le Pointe Vierge; the innermost secret heart.
“Annunciation” is a 2011, 3 ft x 5 ft oil on canvas, painted while I was in grad school seminary. It is the prologue to the Magnificat. The Marian figure is young, ethnic, sensually caught up in her mystical hour, manifested through the celestial visitor.
“Pieta” is one of numerous oil on canvases (3 ft x 5 ft) I have painted on the traditional subject. This interpretation is from 2011, and directly followed the above “Annunciation.” The same figure is aged approximately thirty years. Again, she is endowed in her Hour. Her Son, reduced to Corpus Christie, is being lifted to Her by John the beloved and Joseph of Arimathea.The author of the Beatitudes is clearly the son of the Magnificat’s author. In the gospel narrative, Christ cried out to His Father: “Why have you forsaken me?” Father turned His face from Son. Yet, Mother faced Her son directly. As painful as it was, She did not look away. She did not forsake Him and wears a shirt of arrows for Him. “Stations IV. Christ meets His Mother On The Way To The Cross” is a 2011 oil on canvas and on of six Station paintings. All are 5 ft x 5 ft. Again, I dispense of a narrative per se and channel the event through a purely emotional, almost musically mystical filter. This is a homage to the teachings of Fr. Justin Belitz. “Barenboim conducts the Bruckner 7th” is a 2014, 3 ft x 4 ft oil on canvas. It is a reinterpretation from a sketch I made during a Chicago concert of that symphony, conducted by Daniel Barenboim in the 1990s. The 7th is the most personally mystical of Bruckner’s symphonic output. Barenboim is a pronounced romanticist and a visceral Brucknerian, shaping the composer’s intimate sanctuary. “Pieta” is a 58 x 48 oil on canvas from 2014. Revisiting the subject, I concentrated on the relationship between the Madonna and Her slain Son in a celestial, communal setting.
“Yellow Resurrection” is a 30 x 48 oil on canvas from 2008 and an entirely different variation of previous Pieta-like themes. My BlueMahler character serves as a narrator, composing an exotic interpretation of the Easter theme. “Christ and the Woman at the Well” is a 2014, 3 ft x 4 ft oil on canvas. It is painted in monochromatic hues. No water well is depicted. I forgo a narrative in favor of an emotional interaction. Although Christ is recognized as prophet, He learns from her. She teaches him her humanity and it is a vulnerable sharing.
“Escape To A Mysterious Freedom” is one of several paintings inspired by my time in New Mexico. It is a 2007 oil on canvas and depicts a lone, female rider. It is a surreal variation of Gauguin’s Riders On The Beach. The woman is on a tension-filled promenade and the freedom which awaits her is an unknown one. I had read St. John of the Cross’ “Dark Night Of The Soul’ shortly before painting this and that certainly factored in.
“Prayer For A Perilous Descent” is a 45 x 60, 2007 oil on canvas and companion piece to the previous painting. A family is depicted: A mother and father, shielding their children, through a perilous descent while Holy Mother prays for their safety.
“Blue Fugue” is another 2007 companion to “Escape To A Mysterious Freedom” and is 3 ft x 4 ft. St. John Of the Cross and Gauguin inform the painting’s theme and milieu. A lone, male figure rides into a terrain of infinite shadows.
“Passion of Perpetua and Felicity” is a 30 x 40, 2008 oil on canvas, taken from a gnostic text of martyrdom. It is a literal, narrative interpretation, but one saturated with paradoxical emotions, including divine eroticism.
“Married In the Faucet” is a 3 ft x 4 ft 2007 canvas, named after a line from a poem by John M. Bennett (who acted in two of my films. He was Satan in “Jesus and her Gospel of Yes” and George H. Bush in “W.”) The BlueMahler character is depicted in an unconsummated marriage. “Finger Paint Viscosity” is a 3 ft x 4 ft, 2007 oil on canvas, named after Cheryl Townsend poem (Cheryl played Jesus in my “Jesus and her Gospel of Yes” film). BlueMahler conducts the non-narrative narrative (as he did in the film). Cheryl herself is depicted. Her form echoes the eroticism inherent in her words. There is an Alexander Scriabin-like insect quality to her sexed-up figure. * All paintings are for sale. For pricing, serious inquiries may contact us at: email@example.com
“Hay que caminar, soñando “is a 40 x 60, 2013 oil on canvas, named after a musical composition by Luigi Nono, translated (roughly) as “Wanderer, there is no destination, but you must travel the road.”
“Risonanze errant” (Resonances wandering) is a x 33 x 52, oil on canvas from 2013, named after a musical composition by Luigi Nono.
“Omaggio a Luigi Nono” is a 3 ft x 3 ft oil on canvas, and homage to Luigi Nono.
“Io, Frammento da Prometeo” is a 48 x 48, 2013 oil on canvas, named after a musical composition by Luigi Nono.
“Shifting Sanctuaries” is a 2009, 30 x 48 oil on canvas of the BlueMahler character.
“Fragments From a Crepuscular World” is a 30 x 48 oil on canvas from 2009.
“Self Portrait of the artist as a middle aged man” is a 3ft x 4 ft oil on canvas, from 2009.
“Without World” is a 4ft x 4 ft oil on canvas from 2009.
** A portion of all sales will go to the Franciscan Hermitage.
Fr. Justin Belitz O.F.M.. The above are images from his retreat at the Infant Jesus Parish in Morley Western Australia, April 2010. In March, 2011 Fr. Justin returned to the parish for a follow up retreat.
Fr. Justin’s retreat centers around the teaching of his latest book, Success:Full Relating. This is Fr. Justin’s third book in the success series. It is a guide to successful life goals and relationships. Success:Full Relating is also the most theological of his books, outlining the matriarchal/creation model of spirituality and the patriarchal/ fall/redemption model. Fr. Justin’s approach is lucid, optimistic, and inspiring.
Fr. Justin will be celebrating his 50th jubilee as a Franciscan priest this summer. He promotes interfaith expression, practical theology and renewal in the model of Augustine of the Retractions, John XXIII, The Little Flower, Mother Teresa, Gandhi, and Martin Luther King, Jr.
Fr. Justin is a licensed teacher of the Silva Method but here he gives us the Justin Method. Justin’s method incorporates Franciscan spirituality, the Silva Method and a lifetime of experience into a celebration of life, love, art, and spirit.
From 1999 to 2000, I painted a mural, in oils, for St. Vincent De Paul client food choice pantry in Indianapolis, having been commissioned by Carolyn Reifel, who was the director of that facility. It took nearly a year. The mural was a donation btw, and we followed that with an art auction. Numerous local and national artists donated their work(s) to the auction in an effort to raise funds for the pantry. The mural spanned several walls, on dry wall. I began the mural with images of two priests who were and are still considerable influences in my life; Fr. Justin Belitz O.F.M and Fr. Hilary Ottensmeyer O.S.B.
Fr. Hilary, who had introduced me to Fr. Justin, passed away a mere two weeks after completion of the mural in 2000. I was blessed by his being able to see the completed mural before he passed this temporary coil.
The above are some images and a Nuvo article I came across. One note about the article: It seems to indicate that the auction was not well attended. While we did not have the turn out we had hoped for, over the course of the evening it was indeed fairly well attended and we raised enough money to feed one hundred families for a year.
Tapping back into my thinking from twelve years ago, I entitled the mural “Modern Spirituality” from the mindset of a post Vatican II Catholicism and an ecumenical, inter-faith spirit.
Fr. Justin Belitz and Fr. Hilary Ottensemeyer are representative of that post Vatican II Spirituality. Their images graced several walls of the mural, as did images of Mother Teresa, Pope John XXIII, Our Lady, Gauatama Buddha, and scenes from a charismatic, protestant church service.
Now, twelve years later, I am attaining my Masters of Theological Studies at Christian Theological Seminary.