1932’s The Island of Lost Souls is the first of three cinematic adaptations of H.G. Wells “The Island of Dr.Moreau.” It is easily the best, although the 1997 attempt with Marlon Brando was not the disaster some critics claimed, and in fact was considerably better than the static, unimaginative 1977 version with Burt Lancaster. The 1932 Island, directed by Erle C. Kenton, is rightly considered a classic, enough so that it received the Criterion treatment for a 2011 release. This is Kenton’s sole classic. Although he was a prolific director, he was essentially a journeyman, taking whatever was handed to him … Continue reading THE ISLAND OF LOST SOULS (1932)
According to Bela Lugosi‘s official bio, before coming to America he had been a star on the Hungarian stage, appearing in major Shakespeare productions. However, several biographers have disputed Lugosi’s “star” ranking during that period. It seems most of his roles had actually been small ones. Regardless, Lugosi enlisted in the Hungarian army during the First World War, was wounded several times, and later had to flee Hungary during a tumultuous political climate which was unfriendly to his leftist leanings. After a stay in Germany, Lugosi arrived penniless in the States. Eventually, he made his way to the New York stage and began appearing in plays and silent films. In 1927, Lugosi was cast in the role of Dracula in Hamilton Dean’s famous stage play. With that, Lugosi became a major star of the stage, and stardom brought him numerous female fans, including Clara Bow, with whom he had a brief affair.
In 1929, director Tod Browning, shopping around for the lead of the film version of Dracula, cast Lugosi as a vampire-like inspector in The Thirteenth Chair (1929). Although Lugosi was not a great actor in the conventional sense, he did have an undeniably magnetic screen presence and brought an air of European mystery to the most rudimentary melodramas. Browning capitalized on this as few directors could and it worked, leading to Lugosi landing the career-making role of Bram Stoker’s Count in Browning’s 1931 film, Dracula. The 49 year old Lugosi was perfect for the part. His idiosyncratic mannerisms, unique mangling of the English language (which, despite rumor, he did not deliver phonetically), and otherworldly persona made for a compelling figure, a point made all the more obvious when compared to Carlos Villarias’ laughable performance in the Spanish language version of Dracula (shot at the same time on the same sets as Browning’s classic). Years later, Lugosi bitterly complained about the typecasting which resulted from the film, but realistically, Dracula was the best thing that happened to the actor. With his limited acting skills and heavy accent, Lugosi never could have been successful in the romantic matinee roles he desired.