THE CHURCH OF BROTHER COBWEB (at The House Of Shadows, Gresham Oregon)

“Brother Cobweb: A White Trash Opera,” 8 ft x 4ft house paint on wood panel ©2017 Alfred Eaker

THE CHURCH OF BROTHER COBWEB  (house paint on 8 ft x 4 ft wood panel) “Jonestown Massacre” ©2017 Alfred Eaker

Rehearsing Brother Cobweb with Rev. Harry (Garman Gibson)

THE CHURCH OF BROTHER COBWEB  (house paint on 8 ft x 4 ft wood panel) “Gotterdammerung (detail)” ©2017 Alfred Eaker

THE CHURCH OF BROTHER COBWEB  (house paint on 8 ft x 4 ft wood panel) “Gotterdammerung” ©2017 Alfred Eaker

Alfred Eaker as Brother Cobweb in the “The Church Of Brother Cobweb” @ the House of Shadows©2017 Alfred Eaker

THE CHURCH OF BROTHER COBWEB “Brother Cobweb’s Communion” ©2017 Alfred Eaker

THE CHURCH OF BROTHER COBWEB “Brother Cobweb’s Communion” ©2017 Alfred Eaker

THE CHURCH OF BROTHER COBWEB The Whore Of Babylon (Holly Day) ©2017 Alfred Eaker

THE CHURCH OF BROTHER COBWEB “Brother Cobweb’s Communion detail” ©2017 Alfred Eaker

THE CHURCH OF BROTHER COBWEB (house paint on 8 ft x 16 ft wood panel) “Brother Cobweb’s Last Supper” ©2017 Alfred Eaker

THE CHURCH OF BROTHER COBWEB “Brother Cobweb : Get Behind Me, Satan!” ©2017 Alfred Eaker

THE CHURCH OF BROTHER COBWEB “Brother Cobweb preparing the sacrifice.” ©2017 Alfred Eaker

THE CHURCH OF BROTHER COBWEB “Brother Cobweb & Rev. Harry preparing the sacrifice” ©2017 Alfred Eaker

THE CHURCH OF BROTHER COBWEB Brother Cobweb’s A GOOD FIGHT ©2017 Alfred Eaker

Alfred Eaker as Brother Cobweb in the “TheChurch Of Brother Cobweb” @ the House of Shadows©2017 Alfred Eaker

Alfred Eaker as Brother Cobweb in the “The Church Of Brother Cobweb” @ the House of Shadows©2017 Alfred Eaker

THE CHURCH OF BROTHER COBWEB . Old Nick (Kevin Klansnic). ©2017 Alfred Eaker

Alfred Eaker as Brother Cobweb in the “The Church Of Brother Cobweb” @ the House of Shadows©2017 Alfred Eaker

THE CHURCH OF BROTHER COBWEB Harlot for Christ ©2017 Alfred Eaker

Alfred Eaker as Brother Cobweb in the “The Church Of Brother Cobweb” @ the House of Shadows©2017 Alfred Eaker

BUNUEL’S VIRIDIANA (1961)

Viridiana (1961) Palme D' or

Viridiana (1961) has quite a reputation among film critics and historians, often being listed as one of Luis Bunuel‘s best efforts. It is certainly among the most heterodox offerings in his considerable canon.

VIRIDIANA (1961 Bunuel) poster

Viridiana marked Buñuel‘s return to his native Spain after a twenty-five year absence. With the fascist Franco still in power, Buñuel was severely criticized and accused of making his bed with the enemy, but the filmmaker’s critics should have known better. Buñuel had an ulterior motive, with a predictably incendiary opus tucked securely in his Surrealist vest pocket.

Viridiana Silvia Pinal Continue reading