Tag Archives: Bio Pic

LOVE IS THE DEVIL: STUDY FOR A PORTRAIT OF FRANCIS BACON (1998)

Films about painters are usually recipes for disaster, primarily because the filmmakers are fans and slap a halo around the object of their adulation. Painters-as-film-subjects have generally fared better than composers-as-film-subjects (while we’re on the subject—we’re still waiting for Martin Scorsese’s long-promised Leonard Bernstein biopic). We can point to successes like Carol Reed’s treatment of Michelangelo, that cast Charlton Heston as the gay dwarf who painted the Sistine chapel (The Agony and the Ecstasy). That outdoes Chopin melodramatically dying at the keyboard of “consumption” in 1945’s A Song To Remember, which whitewashed the composer’s mental and career decline, along with his protracted, agonizing death (possibly from syphilis).

Whether painter or composer, artists tend to have tunnel vision, making them unpleasant bedfellows. Of course, not all artists are guilty—only the good ones. The hacks are innocent, which is why they’re usually forgotten.

No need though to worry about John Maybury’s 1998 opus, Love is the Devil: Study For A Portrait of Francis Bacon, though. It delivers. It’s not merely in the top tier of artist biopics, it’s a remarkable film in itself.

First, an aside about the painter. Francis Bacon emerged as a defiantly figurative painter at a time when abstract expressionism was the fad. He was deemed something of a traitor by the self-professed avant-garde establishment. (If you’re unfamiliar with abstract expressionism, just go to a local McDonalds or J.C. Penny stores and you’ll see plenty of latter-day examples hanging up—but rest assured you’ll never see Bacon’s hideous angst-ridden souls there). Bacon stuck to his guns, becoming one of the most relevant painters of the late century; thankfully, he is unworthy of canonization.

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ELVIS (1979) & THIS IS ELVIS (1981)

Elvis (1979 Dir . John Carpenter)THIS IS ELVIS (1981)

The life of Elvis Presley is the perfect American grand guignol tale that has never really been captured on film. John Carpenter’s Elvis (1979) has finally been released in its full three hour European theatrical version. Some consider it to still be the best film on the subject of Elvis.

Elvis Presely in concert 1950s

Elvis Presley was undoubtedly a phenomenon. He was as poor white trash as poor white trash can get, growing up in a predominantly black Pentecostal church. Many African-Americans have accused him of stealing their music. Actually, it’s all he knew, and he treated it with reverence. Accusations of racism are certainly factual, but only from an off-color perspective. Like Sammy Davis, Jr., Elvis had an intense self-loathing for his own blackness.

Elvis Presley 1956Elvis Presely and Colonel Tom Parker

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