Our Short film: “Hallows Dance” (2008)

This was our short film for the 2008 48 HR film festival.I supplied the narrative (co-scripted by myself, J. Ross Eaker, and Terry Dellinger). It is based of the tragic, true story of my assistant manager (having taken place in the early 90s).

James Mannan and Robin Panet co-directed. I co-acted with Jason Hignite.

Our Short Film: “9” (2009)

This was made for the 2009 48 Hr film contest. It was written by myself, using the poerty of John M. Bennett. I co-directed with Robin Panet and co-acted with frequent collaborator James Mannan.

After the premiere, one of the judges took me aside and said: “I dig your film and really wanted you guys to win, but you just broke too many rules.”

We did indeed.

LA LONTANANZA NOSTLAGICA UTOPICA FUTURA (short film)

http://www.theindependentcritic.com/la_lontananza_nostalgica_utopica_futura

THE FILM IS ALSO TEMPORARILY AVAILABLE FOR VIEWING (WITH STATEMENT) @

http://366weirdmovies.com/la-lontananza-nostalgica-utopica-futura-2014/

IMDB LISTING

http://www.imdb.com/title/tt4258080/?ref_=nm_flmg_dr_2  James Mannan as Van Gogh in La lontananza nostalgica utopia futura. Alfred Eaker as Paul Gauguin in La lontananza nostalgica utopia futura.James Mannan as V. Van Gogh in La lontananza nostalgica utopia futura.

LA LONTANANZA SHOOT 8Alfred Eaker as Gauguin (ravaged by syphilis) in La lontananza nostalgica utopia futura.LA LONTANANZA SHOOTLA LONTANANZA SHOOT 2Alfred Eaker as Gauguin2 (ravaged by syphilis) in La lontananza nostalgica utopia futura.James Mannan as Vincent Van Gogh,  in La lontananza nostalgica utopica futuraJames Mannan as Vincent Van Gogh in La lontananza nostalgica utopia futura.

Rogue Cinema’s review for our film: La Lontananza nostalgica utopica futura.

http://www.roguecinema.com/la-lontananza-nostalgica-utopica-2014-by-brian-morton.html

Co-directed by James Mannan and Alfred Eaker.

Written by Alfred Eaker

Starring James Mannan as Vincent Van Gogh and Alfred Eaker as Paul Gauguin.

Edited by J. Ross Eaker

Makeup: Jen Ring

Camera: J.Ross Eaker

Produced by Eaker Productions, LLC and Liberty or Death Productions, LLC

Alfred Eaker as Paul Gauguin in La lontananza nostalgica utopica futura II James Mannan as Vincent Van Gogh,  in La lontananza nostalgica utopica futura Alfred Eaker as Gauguin2 (ravaged by syphilis) in La lontananza nostalgica utopia futura. Alfred Eaker as Gauguin (ravaged by syphilis) in La lontananza nostalgica utopia futura. James Mannan as V. Van Gogh in La lontananza nostalgica utopia futura. James Mannan as Van Gogh in La lontananza nostalgica utopia futura. James Mannan as VG in La lontananza nostalgica utopia futura. Alfred Eaker as Paul Gauguin in La lontananza nostalgica utopia futura.LA LONTANANZA SHOOTLA LONTANANZA SHOOT 1LA LONTANANZA SHOOT 2LA LONTANANZA SHOOT 3LA LONTANANZA SHOOT 4LA LONTANANZA SHOOT 7LA LONTANANZA SHOOT 8James Mannan as Vincent Van Gogh in La lontananza nostalgica utopia futura.Alfred Eaker as Paul Gauguin in La lontananza nostalgica utopica futura (human misery)

BEHIND THE SCENE OF THE WATER SCENE

The following are behind the (green) scene shots of an upcoming short film: The Water Scene. Written by Wendy Collin Sorin, Alfred Eaker, and John M. Bennett.

Co-directed by J.Ross Eaker and Alfred Eaker

Art direction: Todd M. Coe

Starring: James Mannan & Alfred Eaker

©2014 Eaker Productions, LLC

WATER SCENE WATER SCENE A DUET BETWEEN ALFRED EAKER AND JAMES MANNAN WATER SCENE ALFRED EAKER AND J. ROSS EAKER (things that make you go 'hmmm') WATER SCENE ALFRED EAKER AND J.ROSS EAKER WATER SCENE Alfred Eaker and J.Ross Eaker hmmm2 WATER SCENE ALFRED EAKER AND JAMES D. MANNAN WATER SCENE ALFRED EAKER AND JAMES MANNAN (filming) WATER SCENE ALFRED EAKER AND JAMES MANNAN (frequent collaborators) WATER SCENE ALFRED EAKER JAMES MANNAN DUET WATER SCENE DIALOGUING ALFRED EAKER AND JAMES MANNAN WATER SCENE II WATER SCENE III WATER SCENE IV WATER SCENE J.ROSS EAKER WATER SCENE J.ROSS EAKER AT WORK WATER SCENE J.ROSS EAKER CO-DIRECTING WATER SCENE J.ROSS EAKER, ALFRED EAKER, JAMES MANNAN WATER SCENE J.ROSS EAKER, ALFRED EAKER, JAMES MANNAN (filming) WATER SCENE JAMES D. MANNAN WATER SCENE JAMES D. MANNAN AND ALFRED EAKER (waxing John M. Bennett) WATER SCENE JAMES MANNAN (IN PINK) WATER SCENE James Mannan and Alfred Eaker (pink & blue) WATER SCENE prophecy James Mannan and Alfred Eaker WATER SCENE V Alfred Eaker as BlueMahler WATER SCENE VI J. ROSS EAKER, JAMES MANNAN, AND ALFRED EAKER WATER SCENE X J.ROSS EAKER, ALFRED EAKER, JAMES MANNAN WATER SCENE XI JAMES MANNAN WATER SCENE XII JAMES MANNAN WATER SCENE XIII JAMES MANNAN WATER SCENE XIV JAMES MANNAN WATER SCENE XV J. ROSS EAKER AND ALFRED EAKER WATER SCENE XVII JAMES MANNAN WATER SCENE XX

BEHIND THE SCENE PHOTOS OF DAVID ROSS’ PRODUCTION “UNREQUITED”

More behind-the scene photos of David Ross’ film: “Unrequited.” The plot, so to speak (and if one is really required) has something to do with BlueMahler’s descent in Wonderland. As for the unrequited part-let us say it has something to do with a pretty girl named Alice (Jessica Froelich).  Photography by James Mannan (who also appears in the film), J. Ross Eaker, and Aja Rossman Gray.

DAVID ROSS' UNREQUITED Alfred Eaker as BlueMahler in a broken wonderland DAVID ROSS' UNREQUITED Alfred Eaker as BlueMahler. Yuk DAVID ROSS' UNREQUITED J. Ross Eaker filming Alfred Eaker as BlueMahler DAVID ROSS' UNREQUITED Alfred Eaker as BlueMahlerDAVID ROSS' UNREQUITED, Aja making up Alfred Eaker as BlueMahler DAVID ROSS' UNREQUITED, Alfred Eaker (as BlueMahler) with broken egg DAVID ROSS' UNREQUITED, Alfred Eaker as BlueMahler DAVID ROSS' UNREQUITED. Alfred Eaker as BlueMahler, with David Ross DAVID ROSS' UNREQUITED. Director and egg DAVID ROSS' UNREQUITED. Ross directing Alfred Eaker as BlueMahlerUNREQUITED SHOOT  2UNREQUITED SHOOT  5UNREQUITED SHOOT  JAMES MANNANUNREQUITED SHOOT 1UNREQUITED SHOOT 3UNREQUITED SHOOT 4

Aja Rossman Gray and Alfred Eaker (as BlueMahler) Aja Rossman Gray and Alfred Eaker (as BlueMahler). Unrequited

ALFRED EAKER PAINTINGS (UPDATED WITH ADDITIONAL WORKS AND SIZING INFO, per inquiries)

2. Alfred Eaker Hay que caminar„ soñando ©Alfred Eaker 2013 “Hay que caminar, soñando “is a 40 x 60, 2013 oil on canvas, named after a musical composition by Italian avant-gardist Luigi Nono, translated (roughly) as “Wanderer, there is no destination, but you must travel the road.” This is the first of several works inspired by this spiritually restless artist.

1. Alfred Eaker Risonanze erranti (Resonances wandering) ©Alfred Eaker 2013 “Risonanze errant” (Resonances wandering) is a  x 33 x 52, oil on canvas from 2013, named after a musical composition by Luigi Nono.

4. Alfred Eaker Io, Frammento da Prometeo ©Alfred Eaker 2013 “Io, Frammento da Prometeo” is a 48 x 48, 2013 oil on canvas, named after a musical composition by Luigi Nono.

5. Alfred Eaker Omaggio a Luigi Nono. ©Alfred Eaker 2013“Omaggio a Luigi Nono” is a 3 ft x 3 ft oil on canvas, and homage to Luigi Nono.

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“Fragments From a Crepuscular World” is a 30 x 48 oil on canvas from 2009.

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“Without World” is a 4ft x 4 ft oil on canvas from 2009.

ALFRED EAKER Self Portrait of the artist as a middle aged man c.2009 alfred eaker

“Self Portrait of the artist as a middle aged man” is a 3ft x 4 ft oil on canvas, from 2009.

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“Shifting Sanctuaries” is a 2009, 30 x 48 oil on canvas of the BlueMahler character.

Alfred Eaker %22STATIONS I%22 Christ is Condemend To Death. Oil on Canvas. 5ft x 5 ft. © 2010 Alfred Eaker

“Stations I. Christ is condemned to death” is a 2010 5 ft x 5 ft oil on canvas.

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“Stations II. Christ Carries His Cross” is a 5 ft x 5 ft oil on canvas.

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“Stations III. Christ falls for the first time” is a 2010, 5 ft x 5 ft oil on canvas.

Alfred Eaker %22Stations IV%22 Christ Meets His Mother On The Way To The Cross. oil on canvas 5 ft x 5 ft. ©2011 Alfred Eaker

“Stations IV. Christ meets His Mother On The Way To The Cross” is a 2011 oil on canvas and on of six Station paintings. All are 5 ft x 5 ft. Again, I dispense of a narrative per se and channel the event through a purely emotional, almost musically mystical filter. This is a homage to the teachings of Fr. Justin Belitz.

Alfred Eaker %22Stations V%22 Simon of Cyrene Helps Christ Carry His Cross. oil opn cnavas. 5 ft x 5 ft. © 2011 Alfred Eaker

“Stations V. Simon helps Christ carry his cross” is a 5 ft x 5 ft oil on canvas from 2011.

Alfred Eaker %22Stations VI%22 Veronica Wipes The Face Of Christ. oil on canvas . 5 ft x 5 ft. ©2011. Alfred Eaker

“Stations VI. Veronica wipes the face of Christ” is a 2011 5 ft x 5 ft oil on canvas.

Alfred Eaker Barenboim conducts the Bruckner 7th . oil on canvas ©2014 Alfred Eaker

“Barenboim conducts the Bruckner 7th” is a 2014, 3 ft x 4 ft oil on canvas. It is a reinterpretation from a sketch I made during a Chicago concert of that symphony, conducted by Daniel Barenboim in the 1990s. The 7th is the most personally mystical of Bruckner’s symphonic output. Barenboim is a pronounced romanticist and a visceral Brucknerian, shaping the composer’s intimate sanctuary.

Alfred Eaker %22Pieta%22 oil on canvas © 2014 Alfred Eaker

“Pieta” is a 58 x 48 oil on canvas from 2014. Revisiting the subject, I concentrated on the relationship between the Madonna and Her slain Son in a celestial, communal setting.

ALFRED EAKER Prelude To A Day Of Wonder. Oil on canvas. © 2010 Alfred Eaker.

“Prelude To A Day Of Wonder” is a 2010, 36 x 48 oil on canvas. That it is a prelude is key. Pure,  emotional reaching… upward. A day of wonder is a day of attainment.

ALFRED EAKER %22Annunication%22 oil on canvas © 2011 Alfred Eaker

“Annunciation” is a 2011, 3 ft x 5 ft oil on canvas, painted while I was in grad school seminary. It is the prologue to the Magnificat. The Marian figure is young, ethnic, sensually caught up in her mystical hour, manifested through the celestial visitor.

Alfred Eaker PIETA (2011) oil on canvas © 2011 Alfred Eaker

“Pieta” is one of numerous oil on canvases (3 ft x 5 ft) I have painted on the traditional subject. This interpretation is from 2011, and directly followed the above “Annunciation.” The same figure is aged approximately thirty years. Again, she is endowed in her Hour. Her Son, reduced to Corpus Christie, is being lifted to Her by John the beloved and Joseph of Arimathea.The author of the Beatitudes is clearly the son of the Magnificat’s author. In the gospel narrative, Christ cried out to His Father: “Why have you forsaken me?”  Father turned His face from Son. Yet, Mother faced Her son directly. As painful as it was, She did not look away. She did not forsake Him and wears a shirt of arrows for Him.

Alfred Eaker 'Aja%22 oil on canvas. © 2014 Alfred Eaker

“Aja” is a 2014, 30 x 40 oil on canvas, which is born of Elizabeth Johnson’s meditation on the Marian image: “Truly, Our Sister.” Yes, She is Mother, but also Sister, twin, companion.

Alfred Eaker %22Annhilation%22 (Sufism. Meditation on Christ casting the money changers out of the temple) oil on canvas. ©2014 Alfred Eaker

“Annihilation” is a 2014,  40 x 48 oil on canvas. It stems from Sufi meditation. “Christ casting the money changers out of the temple” is that figure’s moth to the flame moment. It is the only time we see the gospel figure losing his temper and it is this act, which gets him killed and inevitably transforms him. It is lack of love that Christ is responding to. Rather than the traditional depicted action narrative, usually attached to the subject, “Annihilation” is filtered through Le Pointe Vierge; the innermost secret heart.

Alfred EAKER 'Our Lady Of The Mermaids%22 oil on canvas © 2011 Alfred Eaker

“Our Lady Of The Mermaids”©2011 is a 3 ft x 4 ft oil on canvas. Over the years, I have painted numerous Madonnas, born full grown from a painter’s brow, yet I feel it is this one alone, from 2011, in which my very personal tradition and theological tenets crystallized most lucidly. I have attempted, since then, to paint her again as I did here. Predictably, it has proven futile. Although, Our Lady wears a thousand different skin tones, a thousand names, and a thousand costumes, she stands uniquely untamed in this canvas. This is no Madonna, subjected to patriarchal erasure, no demure, chaste cabbage. Our Lady is imbued with wild sensuality, diaphanous compassion, and revolutionary divinity. She is our lush, boundlessly expansive sanctuary of fearless truth-telling; the fiery daughter of primal white goddesses and Sophianic Mother of the brown mermaids.

Our Lady was chosen for the 2014 cover of Aurora Literary Magazine.

Alfred Eaker Yellow Resurrection. oil on canvas. © 2008 Alfred Eaker

“Yellow Resurrection” is a 30 x 48 oil on canvas from 2008 and an entirely different variation of previous Pieta-like themes. My BlueMahler character serves as a narrator, composing an exotic interpretation of the Easter theme.

Alfred Eaker %22Christ and the Woman at the well.%22 oil on canvas. © 2014 Alfred Eaker

“Christ and the Woman at the Well” is a 2014, 3 ft x 4 ft oil on canvas. It is painted in monochromatic hues. No water well is depicted. I forgo a narrative in favor of an emotional interaction. Although Christ is recognized as prophet, He learns from her. She teaches him her humanity and it is a vulnerable sharing.

Alfred Eaker Escape to a Mysterious Freedom. oil on canvas. © 2007 alfred eaker

“Escape To A Mysterious Freedom” is one of several paintings inspired by my time in New Mexico. It is a 2007 oil on canvas and depicts a lone, female rider. It is a surreal variation of Gauguin’s Riders On The Beach. The woman is on a tension-filled promenade and the freedom which awaits her is an unknown one. I had read St. John of the Cross’ “Dark Night Of The Soul’ shortly before painting this and that certainly factored in.

Alfred Eaker Prayer for a perilous descent. oil on canvas © 2007 alfred eaker

“Prayer For A Perilous Descent” is a 45 x 60, 2007 oil on canvas and companion piece to the previous painting. A family is depicted: A mother and father, shielding their children, through a perilous descent while Holy Mother prays for their safety.

Alfred EAKER Blue Fugue oil on canvas © 2007 alfred eaker

“Blue Fugue” is another 2007 companion to “Escape To A Mysterious Freedom”  and is 3 ft x 4 ft. St. John Of the Cross and Gauguin inform the painting’s theme and milieu. A lone, male figure rides into a terrain of infinite shadows.

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“Passion of Perpetua and Felicity” is a  30 x 40, 2008 oil on canvas, taken from a gnostic text of martyrdom. It is a literal, narrative interpretation, but one saturated with paradoxical emotions, including divine eroticism.

Alfred Eaker Married in the Faucet. oil on canvas. © 2007 alfred eaker

“Married In the Faucet” is a 3 ft x 4 ft 2007 canvas, named after a line from a poem by John M. Bennett (who acted in two of my films. He was Satan in “Jesus and her Gospel of Yes” and George H. Bush in “W.”) The BlueMahler character is depicted in an unconsummated marriage.

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“Finger Paint Viscosity” is a 3 ft x 4 ft, 2007 oil on canvas, named after  Cheryl Townsend poem (Cheryl played Jesus in my “Jesus and her Gospel of Yes” film). BlueMahler conducts the non-narrative narrative (as he did in the film). Cheryl herself is depicted. Her form echoes the eroticism inherent in her words. There is an Alexander Scriabin-like insect quality to her sexed-up figure.

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“Barenboim conducts Pierre Boulez in Chicago” is a 2004 , 3 ft x 4 ft oil on canvas.

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“A Diaphanous Rage” is a 3 ft x 4 ft, 2009 oil on canvas from the western series

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” A Laconic Descent” is a 2009 , 3 ft x 4 ft oil on canvas from the western series.

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“Before the Tragedy” is a 2008 oil on canvas from the western series.

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“BITTER PAUSE” is a 4 ft x 4 ft oil on canvas from 2009.

ALFRED EAKER JUSTIFIABLE ARMAGEDDON 2009

“Justifiable Armageddon” is a 4 ft x 4 ft oil on canvas, 2009.

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‘Spinal Speech” is a 3 ft x 4 ft oil on canvas, 2010.

* All paintings are for sale. For pricing, serious inquiries may contact us at: pinkfreudbluemahler@msn.com

** A portion of all sales will go to the Franciscan Hermitage.

Alfred Eaker Paintings

Alfred EAKER 'Our Lady Of The Mermaids%22 oil on canvas © 2011 Alfred Eaker “Our Lady Of The Mermaids”©2011 is a 3 ft x 4 ft oil on canvas. Over the years, I have painted numerous Madonnas, born full grown from a painter’s brow, yet I feel it is this one alone, from 2011, in which my very personal tradition and theological tenets crystallized most lucidly. I have attempted, since then, to paint her again as I did here. Predictably, it has proven futile. Although, Our Lady wears a thousand different skin tones, a thousand names, and a thousand costumes, she stands uniquely untamed in this canvas. This is no Madonna, subjected to patriarchal erasure, no demure, chaste cabbage. Our Lady is imbued with wild sensuality, diaphanous compassion, and revolutionary divinity. She is our lush, boundlessly expansive sanctuary of fearless truth-telling; the fiery daughter of primal white goddesses and Sophianic Mother of the brown mermaids.

* Our Lady was chosen for the 2014 cover of Aurora Literary Magazine.

 

Alfred Eaker %22Annhilation%22 (Sufism. Meditation on Christ casting the money changers out of the temple) oil on canvas. ©2014 Alfred Eaker “Annihilation” is a 2014,  40 x 48 oil on canvas. It stems from Sufi meditation. “Christ casting the money changers out of the temple” is that figure’s moth to the flame moment. It is the only time we see the gospel figure losing his temper and it is this act, which gets him killed and inevitably transforms him. It is lack of love that Christ is responding to. Rather than the traditional depicted action narrative, usually attached to the subject, “Annihilation” is filtered through Le Pointe Vierge; the innermost secret heart. Alfred Eaker 'Aja%22 oil on canvas. © 2014 Alfred Eaker “Aja” is a 2014, 30 x 40 oil on canvas, which is born of Elizabeth Johnson’s meditation on the Marian image: “Truly, Our Sister.” Yes, She is Mother, but also Sister, twin, companion.

ALFRED EAKER Prelude To A Day Of Wonder. Oil on canvas. © 2010 Alfred Eaker.

“Prelude To A Day Of Wonder” is a 2010, 36 x 48 oil on canvas. That it is a prelude is key. Pure,  emotional reaching… upward. A day of wonder is a day of attainment.ALFRED EAKER %22Annunication%22 oil on canvas © 2011 Alfred Eaker

“Annunciation” is a 2011, 3 ft x 5 ft oil on canvas, painted while I was in grad school seminary. It is the prologue to the Magnificat. The Marian figure is young, ethnic, sensually caught up in her mystical hour, manifested through the celestial visitor.   Alfred Eaker PIETA (2011) oil on canvas © 2011 Alfred Eaker

“Pieta” is one of numerous oil on canvases (3 ft x 5 ft) I have painted on the traditional subject. This interpretation is from 2011, and directly followed the above “Annunciation.” The same figure is aged approximately thirty years. Again, she is endowed in her Hour. Her Son, reduced to Corpus Christie, is being lifted to Her by John the beloved and Joseph of Arimathea.The author of the Beatitudes is clearly the son of the Magnificat’s author. In the gospel narrative, Christ cried out to His Father: “Why have you forsaken me?”  Father turned His face from Son. Yet, Mother faced Her son directly. As painful as it was, She did not look away. She did not forsake Him and wears a shirt of arrows for Him. Alfred Eaker %22Stations IV%22 Christ Meets His Mother On The Way To The Cross. oil on canvas 5 ft x 5 ft. ©2011 Alfred Eaker “Stations IV. Christ meets His Mother On The Way To The Cross” is a 2011 oil on canvas and on of six Station paintings. All are 5 ft x 5 ft. Again, I dispense of a narrative per se and channel the event through a purely emotional, almost musically mystical filter. This is a homage to the teachings of Fr. Justin Belitz. Alfred Eaker Barenboim conducts the Bruckner 7th . oil on canvas ©2014 Alfred Eaker “Barenboim conducts the Bruckner 7th” is a 2014, 3 ft x 4 ft oil on canvas. It is a reinterpretation from a sketch I made during a Chicago concert of that symphony, conducted by Daniel Barenboim in the 1990s. The 7th is the most personally mystical of Bruckner’s symphonic output. Barenboim is a pronounced romanticist and a visceral Brucknerian, shaping the composer’s intimate sanctuary. Alfred Eaker %22Pieta%22 oil on canvas © 2014 Alfred Eaker “Pieta” is a 58 x 48 oil on canvas from 2014. Revisiting the subject, I concentrated on the relationship between the Madonna and Her slain Son in a celestial, communal setting. Alfred Eaker Yellow Resurrection. oil on canvas. © 2008 Alfred Eaker

“Yellow Resurrection” is a 30 x 48 oil on canvas from 2008 and an entirely different variation of previous Pieta-like themes. My BlueMahler character serves as a narrator, composing an exotic interpretation of the Easter theme. Alfred Eaker %22Christ and the Woman at the well.%22 oil on canvas. © 2014 Alfred Eaker   “Christ and the Woman at the Well” is a 2014, 3 ft x 4 ft oil on canvas. It is painted in monochromatic hues. No water well is depicted. I forgo a narrative in favor of an emotional interaction. Although Christ is recognized as prophet, He learns from her. She teaches him her humanity and it is a vulnerable sharing. Alfred Eaker Escape to a Mysterious Freedom. oil on canvas. © 2007 alfred eaker

“Escape To A Mysterious Freedom” is one of several paintings inspired by my time in New Mexico. It is a 2007 oil on canvas and depicts a lone, female rider. It is a surreal variation of Gauguin’s Riders On The Beach. The woman is on a tension-filled promenade and the freedom which awaits her is an unknown one. I had read St. John of the Cross’ “Dark Night Of The Soul’ shortly before painting this and that certainly factored in. Alfred Eaker Prayer for a perilous descent. oil on canvas © 2007 alfred eaker

“Prayer For A Perilous Descent” is a 45 x 60, 2007 oil on canvas and companion piece to the previous painting. A family is depicted: A mother and father, shielding their children, through a perilous descent while Holy Mother prays for their safety. Alfred EAKER Blue Fugue oil on canvas © 2007 alfred eaker

“Blue Fugue” is another 2007 companion to “Escape To A Mysterious Freedom”  and is 3 ft x 4 ft. St. John Of the Cross and Gauguin inform the painting’s theme and milieu. A lone, male figure rides into a terrain of infinite shadows. DIGITAL CAMERA

“Passion of Perpetua and Felicity” is a  30 x 40, 2008 oil on canvas, taken from a gnostic text of martyrdom. It is a literal, narrative interpretation, but one saturated with paradoxical emotions, including divine eroticism. Alfred Eaker Married in the Faucet. oil on canvas. © 2007 alfred eaker

“Married In the Faucet” is a 3 ft x 4 ft 2007 canvas, named after a line from a poem by John M. Bennett (who acted in two of my films. He was Satan in “Jesus and her Gospel of Yes” and George H. Bush in “W.”) The BlueMahler character is depicted in an unconsummated marriage. DIGITAL CAMERA “Finger Paint Viscosity” is a 3 ft x 4 ft, 2007 oil on canvas, named after  Cheryl Townsend poem (Cheryl played Jesus in my “Jesus and her Gospel of Yes” film). BlueMahler conducts the non-narrative narrative (as he did in the film). Cheryl herself is depicted. Her form echoes the eroticism inherent in her words. There is an Alexander Scriabin-like insect quality to her sexed-up figure. * All paintings are for sale. For pricing, serious inquiries may contact us at: pinkfreudbluemahler@msn.com

2. Alfred Eaker Hay que caminar„ soñando ©Alfred Eaker 2013

“Hay que caminar, soñando “is a 40 x 60, 2013 oil on canvas, named after a musical composition by Luigi Nono, translated (roughly) as “Wanderer, there is no destination, but you must travel the road.”

1. Alfred Eaker Risonanze erranti (Resonances wandering) ©Alfred Eaker 2013

 

“Risonanze errant” (Resonances wandering) is a  x 33 x 52, oil on canvas from 2013, named after a musical composition by Luigi Nono.

5. Alfred Eaker Omaggio a Luigi Nono. ©Alfred Eaker 2013

“Omaggio a Luigi Nono” is a 3 ft x 3 ft oil on canvas, and homage to Luigi Nono.

4. Alfred Eaker Io, Frammento da Prometeo ©Alfred Eaker 2013

“Io, Frammento da Prometeo” is a 48 x 48, 2013 oil on canvas, named after a musical composition by Luigi Nono.

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“Shifting Sanctuaries” is a 2009, 30 x 48 oil on canvas of the BlueMahler character.

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“Fragments From a Crepuscular World” is a 30 x 48 oil on canvas from 2009.

ALFRED EAKER Self Portrait of the artist as a middle aged man c.2009 alfred eaker

“Self Portrait of the artist as a middle aged man” is a 3ft x 4 ft oil on canvas, from 2009.

 

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“Without World” is a 4ft x 4 ft oil on canvas from 2009.

** A portion of all sales will go to the Franciscan Hermitage.