Winter Light was said to be Ingmar Bergman‘s favorite of his own works, and one is tempted to concur. Having read about it for years, I was hesitant to see it after reading it described as Bergman’s bleakest film. This surprised me, because what I saw was akin to a clerical farce. Perhaps one has to have degree of experience with and appreciation for the clerical model to appreciate the humor. It’s icily humorous, similar to the way that monk/philosopher Thomas Merton is never funnier than when he shrieks at the bad taste of his Trappist fellows in his journals, replaces … Continue reading INGMAR BERGMAN’S SILENCE OF GOD TRILOGY: WINTER LIGHT (1963)
“From caves and sewers come The Slime People! They kill, kill, kill! There’s no escape from The Slime People! Nothing can stop the horror of The Slime People! For a new adventure in terror, live through the wild blood bath of The Slime People!” The Ghost (directed by Riccardo Frida) stars Barbara Steele in another homicidal adulteress role. Hyped (misleadingly) as a sequel to Frida and Steele’s successful The Terror of Dr. Hichcock (1962), The Ghost, is woefully predictable and is not this director’s best work. However, Steele is nearly at her best, and puts to rest any questions regarding her status as a genre cult … Continue reading 1963 DRIVE-IN DOUBLE FEATURE: THE GHOST AND DEAD EYES OF LONDON
1963 was such a productive year for horror/exploitation that even Arch Hall, Jr. was involved in a better than normal effort. The Sadist is the film Hall Jr. will most likely be remembered for (if he is remembered at all). Here, Junior pivots away from the low-rent Elvis Presley persona that daddy Arch Hall, Sr. was crafting for him to instead play a cartoon psychopath inspired by the real-life sadist Charles Starkweather (in the first of several films loosely based on Starkweather’s infamous 1958 killing spree—to make sure we get the reference, writer/director James Landis names the antagonist “Charlie”). The Sadist is easily the best film of both this actor and this director, which is not to say that it’s great cinema. Surprisingly, the best thing about it is Hall’s energetic performance. Away from daddy, Junior bounces through the entire film with a near-perfect trash performance.
While Landis wasn’t quite the hack that Hall, Sr. was, he still hampers the production with rusty pacing and ill-conceived narration (supplied by Hall, Sr). The headlines of murderous mayhem proved to be the inspiration for the Landis/Hall Jr. team. They worked together in two additional features: 1964’s The Nasty Rabbit, about Russian spies smuggling killer bunnies into the U.S.A., and 1965’s Deadwood 76, which features Junior as a singing Billy the Kid. Both were written by Daddy Hall and again reveal a lead who clearly wants to be elsewhere. Junior seemed to reserve all of his enthusiasm and hammy tricks for The Sadist. He giggles. He slaughters. Once The Sadist locates Hall as its steam, it transforms into a model of creaky relentlessness. The small cast is exceptional, with Helen Hovey memorable as Doris, who is pushed to the verge of victimization and fights back. Mother Nature serves Charlie his sentence.
Unearthly Stranger (1963, directed by John Krish) often showed up on late night television from the late 60s through the 70s. Naturally, there is always a risk in revisiting a movie first seen during adolescence. Chances are that it may not hold up—and more often than not, that is the case. Or, one my find value in it, but for very different reasons.
Subdued, with a distinctly British flavor, The Unearthly Stranger has qualities similar to The Quatermass Experiment (1955), Invasion of the Body Snatchers (1956), I Married a Monster from Outer Space(1958), “The Twilight Zone,” and the “Outer Limits.” Shot on a low budget, this Independent Artists production does not rely on special effects, which would have inevitably dated by now anyway. Although short on action and surprises, its virtues are atmosphere, dialogue, and solid performances.
Unearthly Stranger opens with Dr. Mark Davidson ( John Neville, best known for The Adventures Of Baron Munchausen ) running through an empty city at night before reaching his apartment. Finding a tape recorder, he leaves a message: “In a little while I expect to be killed by something you and I know is here,” which segues into an extended flashback.
Shortly after the mysterious murder of fellow researcher Dr. Munro (Warren Mitchell), Davidson and Professor Lancaster (Phillip Stone) resume work on their government funded project, one which enables people to telepathically travel to other planets and potentially contact alien life. In addition to investigating Munro’s death, project supervisor Major Clark (Patrick Newell) has taken an abnormal interest in Davidson’s new Swiss wife, Julie (Gabriella Licudi). Lancaster, a close friend of Davidson’s, is also curious and surprised that he has not been introduced to the new bride.
Common Law Wife (1963) is a hoot, as most period exploitation films are. This film, directed by the infamous schlockmeister Larry Buchanan and Eric Sayers, gets a lot of mileage out of the white trash melodrama genre.
Nasty old oil miser Uncle (love the name) Shugfoot Rainey (George Edgley) is bored with his worn out, tired-looking, live-in waitress girlfriend Linda (Anne MacAdams). Still, Linda is no pushover and proves it when she refuses to flinch while that mean old Uncle Shug throws darts at her head. But, after five years, Uncle Shug wants new tail, which he plans to get through his niece (!) Baby Doll (Lacey Kelly). Baby Doll is built like a French brick house and Linda, feeling like yesterday’s washrag, ain’t havin’ none o’ that!
Baby Doll, fresh from her job as a New Orleans stripper, is plenty willing to put out for some of her uncle’s assets, but she meets a road block in the rejected Linda. That heifer Linda has went and gotten herself a lawyer! Linda’s found out that she don’t haveta go nowhere, cause according to the law, she’s a… COMMON LAW WIFE! What is Shugfoot gonna do? “She’s lived with ya for five years, Shugfoot! That makes her your common law life according to the law!” “Well, gosh darn it, then change the law!” “You can’t change the law Shugfoot, no matter how much money ya got!”