Category Archives: Alfred Eaker Films – Short Films

Our Short film: “Hallows Dance” (2008)

This was our short film for the 2008 48 HR film festival.I supplied the narrative (co-scripted by myself, J. Ross Eaker, and Terry Dellinger). It is based of the tragic, true story of my assistant manager (having taken place in the early 90s).

James Mannan and Robin Panet co-directed. I co-acted with Jason Hignite.

Our Short Film: “9” (2009)

This was made for the 2009 48 Hr film contest. It was written by myself, using the poerty of John M. Bennett. I co-directed with Robin Panet and co-acted with frequent collaborator James Mannan.

After the premiere, one of the judges took me aside and said: “I dig your film and really wanted you guys to win, but you just broke too many rules.”

We did indeed.

LA LONTANANZA NOSTLAGICA UTOPICA FUTURA (short film)

http://www.theindependentcritic.com/la_lontananza_nostalgica_utopica_futura

THE FILM IS ALSO TEMPORARILY AVAILABLE FOR VIEWING (WITH STATEMENT) @

LA LONTANANZA NOSTALGICA UTOPICA FUTURA (2014)

IMDB LISTING

http://www.imdb.com/title/tt4258080/?ref_=nm_flmg_dr_2  James Mannan as Van Gogh in La lontananza nostalgica utopia futura. Alfred Eaker as Paul Gauguin in La lontananza nostalgica utopia futura.James Mannan as V. Van Gogh in La lontananza nostalgica utopia futura.

LA LONTANANZA SHOOT 8Alfred Eaker as Gauguin (ravaged by syphilis) in La lontananza nostalgica utopia futura.LA LONTANANZA SHOOTLA LONTANANZA SHOOT 2Alfred Eaker as Gauguin2 (ravaged by syphilis) in La lontananza nostalgica utopia futura.James Mannan as Vincent Van Gogh,  in La lontananza nostalgica utopica futuraJames Mannan as Vincent Van Gogh in La lontananza nostalgica utopia futura.

Rogue Cinema’s review for our film: La Lontananza nostalgica utopica futura.

http://www.roguecinema.com/la-lontananza-nostalgica-utopica-2014-by-brian-morton.html

Co-directed by James Mannan and Alfred Eaker.

Written by Alfred Eaker

Starring James Mannan as Vincent Van Gogh and Alfred Eaker as Paul Gauguin.

Edited by J. Ross Eaker

Makeup: Jen Ring

Camera: J.Ross Eaker

Produced by Eaker Productions, LLC and Liberty or Death Productions, LLC

Alfred Eaker as Paul Gauguin in La lontananza nostalgica utopica futura II James Mannan as Vincent Van Gogh,  in La lontananza nostalgica utopica futura Alfred Eaker as Gauguin2 (ravaged by syphilis) in La lontananza nostalgica utopia futura. Alfred Eaker as Gauguin (ravaged by syphilis) in La lontananza nostalgica utopia futura. James Mannan as V. Van Gogh in La lontananza nostalgica utopia futura. James Mannan as Van Gogh in La lontananza nostalgica utopia futura. James Mannan as VG in La lontananza nostalgica utopia futura. Alfred Eaker as Paul Gauguin in La lontananza nostalgica utopia futura.LA LONTANANZA SHOOTLA LONTANANZA SHOOT 1LA LONTANANZA SHOOT 2LA LONTANANZA SHOOT 3LA LONTANANZA SHOOT 4LA LONTANANZA SHOOT 7LA LONTANANZA SHOOT 8James Mannan as Vincent Van Gogh in La lontananza nostalgica utopia futura.Alfred Eaker as Paul Gauguin in La lontananza nostalgica utopica futura (human misery)

Behind the scenes of David Ross’ “Unrequited” (Don Trent creating BlueMahler’s death mask)

Behind the scene of “The water scene.”

The following are behind the (green) scene shots of an upcoming short film: “The Water Scene.” Written by Wendy Collin Sorin, Alfred Eaker, and John M. Bennett.

Co-directed by J.Ross Eaker and Alfred Eaker

Art direction: Todd M. Coe

Starring: James Mannan & Alfred Eaker

©2014 Eaker Productions, LLC

WATER SCENE
WATER SCENE A DUET BETWEEN ALFRED EAKER AND JAMES MANNAN
WATER SCENE ALFRED EAKER AND J. ROSS EAKER (things that make you go 'hmmm')
WATER SCENE ALFRED EAKER AND J.ROSS EAKER
WATER SCENE Alfred Eaker and J.Ross Eaker hmmm2
WATER SCENE ALFRED EAKER AND JAMES D. MANNAN
WATER SCENE ALFRED EAKER AND JAMES MANNAN (filming)
WATER SCENE ALFRED EAKER AND JAMES MANNAN (frequent collaborators)
WATER SCENE ALFRED EAKER JAMES MANNAN DUET
WATER SCENE DIALOGUING ALFRED EAKER AND JAMES MANNAN
WATER SCENE II
WATER SCENE III
WATER SCENE IV
WATER SCENE J.ROSS EAKER
WATER SCENE J.ROSS EAKER AT WORK
WATER SCENE J.ROSS EAKER CO-DIRECTING
WATER SCENE J.ROSS EAKER, ALFRED EAKER, JAMES MANNAN
WATER SCENE J.ROSS EAKER, ALFRED EAKER, JAMES MANNAN (filming)
WATER SCENE JAMES D. MANNAN
WATER SCENE JAMES D. MANNAN AND ALFRED EAKER (waxing John M. Bennett)
WATER SCENE JAMES MANNAN (IN PINK)
WATER SCENE James Mannan and Alfred Eaker (pink & blue)
WATER SCENE prophecy James Mannan and Alfred Eaker
WATER SCENE V Alfred Eaker as BlueMahler
WATER SCENE VI J. ROSS EAKER, JAMES MANNAN, AND ALFRED EAKER
WATER SCENE X J.ROSS EAKER, ALFRED EAKER, JAMES MANNAN
WATER SCENE XI JAMES MANNAN
WATER SCENE XII JAMES MANNAN
WATER SCENE XIII JAMES MANNAN
WATER SCENE XIV JAMES MANNAN
WATER SCENE XV J. ROSS EAKER AND ALFRED EAKER
WATER SCENE XVII JAMES MANNAN
WATER SCENE XX

Behind the scene photos of David Ross’ production “Unrequited”

More behind-the scene photos of David Ross’ film: “Unrequited.” The plot, so to speak (and if one is really required) has something to do with BlueMahler’s descent in Wonderland. As for the unrequited part-let us say it has something to do with a pretty girl named Alice (Jessica Froelich).  Photography by James Mannan (who also appears in the film),  and J. Ross Eaker.

REQUIEM FOR THE RELENTLESS FATHERS (2012): FILM & DIRECTOR’S STATMENT

 

DIRECTOR’S STATEMENT:

Requiem For The Relentless Fathers (2012) is a short film I made for theology graduate school. “First and Second Samuel” was a class taught by Dr. Marti Steussy. Among Steussy’s assignments was an artistic presentation from the text.  requiem for the relentless fathers. saul (alfred eaker)  tormented by evil spirit of god (jen ring)  © alfred eaker 2012

Embedded theology oversimplifies the Samuel narrative: Samuel, the Judge of Israel, is the protagonist. Saul, the first King, disobeys God, and is therefore the antagonist. God consequently replaces Saul with the hero David, whom God loves. Even as a child I had issues with that elementary assessment. Regardless of what my Sunday school teachers taught, I found myself sympathizing with the antagonist. Perhaps it is in my nature. After all, I never could manage to find sympathy for any of the characters in Richard Wagner’s symbolist opera “Parsifal” except the alleged villain Klingsor. Still, having had a class with Dr. Steussy previously, I rightly concluded that she would supply fresh insight into the narrative.

Alfred Eaker Requiem for the Relentless Fathers  © alfred eaker 2012

 

Dr. Steussy discarded tradition. She inspired us to go directly and honestly to the text without preconceived notions. After knocking the dust off my Bible, I did exactly that. At the end of the semester a few fellow students, upon seeing the film, pointed out that they would not have been open to my interpretation if they had seen it at the beginning of the semester.

Requiem For the Relentless Fathers. Alfred Eaker as King Saul, James Mannan as the prophet Samuel.  © alfred eaker 2012

Since Requiem is a short, many details are naturally left out. The film is what the title says: It is a requiem for three complex, relentless fathers in an authentically strange Biblical narrative. Samuel and Saul are the primary focus. However, we tried to depict even the secondary character of David as embodying more than meets the eye in his initial introduction. (Perhaps someday, we will be able to do a follow-up film of the Davidic character). The historicity of Samuel was not our concern, which is why we placed it in a relatively contemporary setting.

Requiem For The Relentless Fathers. Alfred Eaker as Saul (the sacrifice)

Dr. Steussy proposed a question—“Why is it important how we judge Saul?”—followed by an answer—“It is important because it reflects how we are apt to judge one other.” Of equal importance is an honest approach to the text as an un-hallowed narrative, stripped of our over-familiarity. I found the story of Saul to be a fresh and surprising chronicle; often bizarre, adverse, and morally questionable.

%22Requiem For The Relentless Fathers.%22 James Mannan and Alfred Eaker as Samuel and Saul

The cast includes James Mannan as Samuel/God, myself as Saul, Robert Webster as David, Jordan Wheatley as Michal, Nate Saylor as Jonathan, Robbin Panet as the woman of Endor, and Jennifer Ring as the Evil Spirit of God. Director of photography: Robin Panet. Assistant Directors: Robbin Panet and James Mannan. Sets: John Claeyse. Music courtesy of Tahra Records. The script was inspired by 1 Samuel and the Samuel commentaries of Dr. Marti Steussy and Dr. David M. Gunn.

Requiem For the Relentless Fathers.Jordan Wheatley, Nate Saylor,  Alfred Eaker, Robin Panet.  © alfred eakerRequiem For the Relentless Fathers. Robert Webster, Jordan Wheatley.  © alfred eakerrequiem for the relentless fahters. Steve making Chris up  for the killing of the priest.  © alfred eaker 2012requiem  for the relentless fathers. Jen Ring being made-up as the evil spirit. © alfred eaker 2012

*originally published at 366 weird movies

David Ross’ “Unrequited” wedding scene shoot, 2014.

Behind the scenes of David Ross’ “Unrequited.” The following are stills from the wedding scene shoot. All we can say is: things are not what they seem in wonderland.UNREQUITED WEDDING SCENE SHOOT DENNIS FORKLE AS MARCH HARE AND ALFRED EAKER AS BLUEMAHLER Dennis Forkel as the March Hare, Alfred Eaker as BlueMahlerUNREQUITED WEDDING SCENE SHOOT 1 David Ross directing Jessica Froelich (Alice), Alfred Eaker (BlueMahler) and Dennis Forkel (March Hare)UNREQUITED WEDDING SCENE SHOOT 2 J. ROSS EAKER, DAN LAND, AND DAVID ROSS shooting a sleepy BlueMahler (Alfred Eaker)  UNREQUITED WEDDING SCENE SHOOT ALFRED EAKER AS BLUEMAHLER Alfred Eaker as BlueMahlerUNREQUITED WEDDING SCENE SHOOT ALFRED EAKER AS BLUEMAHLER 2014 Alfred Eaker as BlueMahlerUNREQUITED WEDDING SCENE SHOOT JESSICA FROELICH AS ALICE, DENNIS FORKEL AS MARCH AHRE, ALFRED EAKER AS BLUEMAHLERJessica Froelich as Alice, Dennis Forkel as March Hare, and Alfred Eaker as BlueMahler

©2014 David Ross

I Was Married To A Mermaid

“I Was Married to a Mermaid” is an excerpt from a longer, yet-to-be-released long featured movie entitled Brother Cobweb. “I Was Married to a Mermaid” has been co-directed by Alfred Eaker and J. Ross Eaker. It Features Alfred Eaker, James Mannan, and Vanessa Blake.

Apart from starting conceptually as a long featured film, Brother Cobweb has found its way to the Theatres as Performance art by Alfred Eaker himself.

It has also become a traditionally published novel. The audiobook and Graphic novels are well on their way. If you find “I was marreid to a mermaid” intriguing, you should definitely try the first chapters of the novel on Amazon Kindle

Alfred Eaker is Back With “I Was Married to a Mermaid”

© Written by Richard Propes The Independent Critic (https://theindependentcritic.com/i_was_married_to_a_mermaid)

There is one problem that I have with an Alfred Eaker film. It can be summed up most easily as “WTF?”

If as a moviegoer you crave narrative cohesion and a paint-by-numbers storyline, then you should be cautioned to stay as far away as possible from Eaker, an innovative filmmaker whose indie spirit manifests itself in short and feature-length films that are experimental in construction, thought provoking in themes, and more than a few moments where you’re left scratching your head mumbling to yourself “I have no idea what he means by any of this” but loving it anyway.

If you’ve ever read anything by Eaker or seen any of his other films, then you already know that he’s a guy who can weave a thread of spirituality into even the darkest of themes, a gift that can be both jarring and sublime. Those words, jarring and sublime, both came to mind as I sat down to watch Eaker’s latest short film, I Was Married to a Mermaid, a just over 11-minute short film that was created as part of a class at Indy’s Herron School of Art.

The film is part of a larger work-in-progress called Brother Cobweb, which is beginning its life as a novel. The film is a fictional piece inspired by Eaker’s experiences growing up in a Pentecostal church. After you’ve seen the film, you’ll likely find yourself going “Well, duh!” But, I digress. I would love to tell you what I Was Married to a Mermaid is all about. I would love to explain its themes, both philosophical and theological. I would love to weave my mind through its relational dynamics and its unresolved issues, but to do so would take far longer than the film’s 11-minute running time because even watching the film you’ll find yourself absolutely captivated by the film’s images, sounds, and words as they unfold before your eyes.

What I will say is, and I can say it with absolute conviction, is that there is a reason that Brother Cobweb (Eaker) is Brother Cobweb. Eaker hasn’t chosen his wording likely, and the memories and thoughts that unfold are shards of reality and fantasy and truth and fiction. Eaker, using his marvelous creation known as BlueMahler as the foundation for Brother Cobweb, has crafted a character both charismatic and rather frightening in his constant presence.

He is intricately woven into the lives of Mom (Vanessa Blake) and Pop (James Mannan), whose relationship is never fully explained yet is lived out with Mom’s constant listening to old fire and brimstone sermons on cassette tape while Pop mumbles about working on an unfinished manuscript lost in seeming disillusionment and a shattered faith. 

I Was Married to a Mermaid is truly jarring in the ways in which Eaker and co-director J.Ross Eaker weave into the story a variety of dramatic images and ideas that have clearly impacted everything else that unfolds. Yet, there’s a richness of humanity as it becomes more and more apparent that we are watching what feels like an occasionally painful and occasionally very resolute spiritual disintegration.

To say that Eaker excels as BlueMahler (as Brother Cobweb) feels redundant, because BlueMahler is a performance art character created by Eaker in the early 80’s and his comfort in the persona is obvious and satisfying. Eaker excels in both his character’s quieter moments and in those moments when he truly comes to life.

Vanessa Blake also shines as Mom, a woman who is seemingly clinging to her faith despite, I’d suppose, the places her faith has taken her.

James Mannan, as Pop, gives what is no doubt one of my favorites of Mannan’s many performances. Mannan’s Pop is simultaneously broken yet crystal clear, resigned yet resolute, and heartbreaking yet surprisingly enlightened. Mannan serves up a layered performance that is both experimental and incredibly well defined.

The only real area that hinders the impact of I Was Married to a Mermaid is found in some of its early transition scenes, scenes that require a technological ability that isn’t quite present in this low-budget yet otherwise tremendously satisfying film. While these scenes do distract just a tad, one can also easily argue that their roughness fits with the stark themes carried out throughout the rest of the film. Remember that problem I talked about with Alfred Eaker?  It’s also the very thing that keeps drawing me to his films time and time again. 

Look inside “Brother Cobweb,” the Novel

Brother Cobweb” is now available through Open Books PressAmazonBarnes and Noble, and all major bookshops and distributors. If you want to understand the seed of Trump’s America, travel back in time 50 years and witness firsthand those who empowered him; the religious right white Evangelicals who are in fact Christian in name only talibangelicals hell bent on a self-fulfilled apocalypse…

About Alfred Eaker:

Alfred Eaker

Alfred Eaker is a prolific fine arts painter and muralist, an award-winning filmmaker and film critic, and a traditionally-published author. Following on the success of his debut novel, “Brother Cobweb,” Eaker is currently collaborating with Todd M. Coe on the related Graphic novel: “The Brother Cobweb Chronicles.It will be available in the spring 2021. The audiobook version of Brother Cobweb is also being produced, and will soon be released too.

As an inquisitive American artist, he has always been deeply engaged in social, religious, and political climates. Eaker is currently working on a mural painting entitled “Elvis: An American Hymn.” Through it, Eaker is trying to bring affirming answers to issues of race, integration and hope so desperately needed at this moment in America.

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