THE CATHOLIC ART OF SALVADOR DALI

Madonna of Port Lligat (1950)

Although, I’m not a fan of the earlier work of Salvador Dali (having seen too many stickers of his art on the folders of angst-ridden teenage boys in the 70s- they all seemed to be fanatical lovers of the Doors and Lynard Skynard-I’m not sure the connection), I respond most to his work in film (‘Spellbound’ and ‘Porky Pig in Dodo land’) and his later Catholic work.

Virgin of Guadalupe 1959

At one time, a self-proclaimed atheist, Dali reconciled with his Catholic faith and became devout, espousing devotion to saints, daily prayer, sacrament of marriage, lifelong fidelity, Mariology, etc and saw these as being authentically revolutionary, especially in his later years when all of the above was anathema to the I, ME, MINE mindset (the horrors of WWII was also a factor in his conversion).

The Ecumenical Council 1960

Dali’s reconciliation with his faith caused a heated row with Andre Breton (who considered himself the spokesperson head of the surrealists and authored the Surrealist Manifesto). Breton insisted that a true surrealist HAD to be a practicing atheist and there was NO room for religion in the movement. Dali rightly saw Breton’s prerequisite as hypocritically transforming surrealism into a dogmatic religion. Famously, Dali left and eventually the movement collapsed while Dali persisted.

Christ of Saint John of the Cross 1951

For years, art historians and theologians criticized Dali’s later Catholic-themed work as kitsch. They were off. Dali had the pulse of that blue-collar Catholic surrealism. Now, his later work has been reassessed (imagine that). There’s a wonderful portrayal of him that captures his spirit in Woody Allen’s “Midnight in Paris.

Assumption 1952

Crocifissione (1954)

Madonna 1943

Day of the Virgin 1947

God sends Gabriel to the Virgin Mary, 1964

Madonna of Port Lligat 1972

Microphysical Madonna 1954

The Ascension of Christ, 1958

The Sacrament of the Last Supper 1955

The Temptation of Saint Anthony’ (1946)

Corpuscular Madonna 1952

Cosmic Madonna 1958

I knew him in the breaking of bread, 1964

Madonna 1952

Madonna 1960

St. Helena of Port Lligat 1956

St. Jerome 1960

The Madonna and the Mystical Rose Salvador 1963

The Sacred Heart of Jesus 1962

Pieta 1982

Pieta 1982

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About Alfred Eaker

Alfred Eaker is a fine arts painter, an award-winning independent filmmaker, and has a masters of theological studies in the arts. His Masters thesis was: "Justification By Imagination.The Marian Art Of Thomas Merton." For nine years, he has been a film critic (for 366 Weird Movies). His essays for that site have been published in the yearbooks and quoted in various film biographies. He is the author of the forthcoming novel, "Brother Cobweb." He currently lives in Gresham, Oregon where he performs his character, Brother Cobweb at The House Of Shadows.