“Elmer Gantry (1960) with a dose of The Intruder (1962) on a 75 cent budget.”
There is the one-sentence synopsis for Shanty Tramp (1967), written and directed by Joseph P. Mawra. Mawra was a lesser-known director of numerous grindhouse films (such as 1964-1965’sOlga trilogy, produced by Glen Or Glenda‘s George Weiss). Movies from this sadosexual school of filmmaking were often referred to as “roughies,” and here the lighting alone justifies that moniker.
After watching Shanty Tramp, you’ll never think of the song “When the Saints Go Marching In” quite the same way. The film opens with a worm’s eye-view of the Shanty Tramp herself (Lee Holland, in her only film role), barely squeezed into a tight white dress and pumps from hell as she shakes, jiggles, and marches her tramp way into a tent revival, choreographed to a gospel tune.
The little incubus-Eve is bound and determined to distract Preacher Man and every other male with red blood, which includes Daniel, a young African American male whose Ma warns him about the wiles of evil Shanty Tramps.
There’s a gleam in Shanty Tramp’s eyes when she spies the tithing basket. There’s a gleam in Preacher Man’s eyes when he spies Shanty Tramp’s popping cleavage. They promise to rendezvous later for a “spiritual lesson,” but Shanty Tramps get easily distracted.
The local rock-n-roll bar is man meat magnet for our heroine. Shanty Tramp grinds. Shanty Tramp flirts. Shanty Tramp gets fought over and the winner is… Savage, the leader of a biker gang! “Come on big man! You promised me a fin! I wanna see it!” She tells Savage. “Shut up and put out, babe!” Put out she does, and darn it, Savage actually lives up to his name and frolics rough.
Meanwhile Daniel’s Ma is still warning her son: “Tain’t good for black folk to be out at night! You get that Shanty Tramp outta your mind! ” “Oh come on Ma!” “Them whites in this town, they’re the same ones who strung up your Pa!”
Daniel’s not listening. He’s hearing the call of that succubus Shanty Tramp. The wise words of Ma can only fall on deaf ears when Shanty Tramp does her mating call. Daniel’s just in time to hear Savage yodel, “You teasing’ little bitch!” Poor Shanty Tramp has lost her top. It’s the exploitation version of Frankenstein Meets the Wolfman (1943) with Daniel and Savage substituting for Lon Chaney and Bela Lugosi, They crash into a case of Pabst Blue Ribbon. Daniel proves the better man and our heroine rewards him with some interracial action. Unfortunately, Shanty’s drunken Pa stumbles in to see Shanty and Daniel sharing a sweaty cigarette.
The redneck villagers, torch in hands, are in full pursuit of the black monster while his Ma has to pay the ultimate sacrifice for her little Cain. Shanty’s Pa gets sober enough to realize his little girl was engaging in consensual interracial sex. Pa grabs the old testament whip and … off with her top again!
Thrown in patricide, exploding cars, racial revenge, and bed-hopping that goes full circle back to Preacher Man, who don’t mind sloppy seconds so long as he gets to save a soul from the Devil’s lair. The sacrifices poor Preacher Man has to make doin’ the Lawd’s work!
Enjoy it with friends, but after shuffling your guests out the door, a tub full of Calgon is strongly advised to take you away from all that Shanty Tramp residue.